“In the other wing.”
| “You are crying, aren’t you?” |
| “Podkoleosin” [A character in Gogol’s comedy, The Wedding.] was perhaps an exaggeration, but he was by no means a non-existent character; on the contrary, how many intelligent people, after hearing of this Podkoleosin from Gogol, immediately began to find that scores of their friends were exactly like him! They knew, perhaps, before Gogol told them, that their friends were like Podkoleosin, but they did not know what name to give them. In real life, young fellows seldom jump out of the window just before their weddings, because such a feat, not to speak of its other aspects, must be a decidedly unpleasant mode of escape; and yet there are plenty of bridegrooms, intelligent fellows too, who would be ready to confess themselves Podkoleosins in the depths of their consciousness, just before marriage. Nor does every husband feel bound to repeat at every step, “_Tu l’as voulu, Georges Dandin!_” like another typical personage; and yet how many millions and billions of Georges Dandins there are in real life who feel inclined to utter this soul-drawn cry after their honeymoon, if not the day after the wedding! Therefore, without entering into any more serious examination of the question, I will content myself with remarking that in real life typical characters are “watered down,” so to speak; and all these Dandins and Podkoleosins actually exist among us every day, but in a diluted form. I will just add, however, that Georges Dandin might have existed exactly as Molière presented him, and probably does exist now and then, though rarely; and so I will end this scientific examination, which is beginning to look like a newspaper criticism. But for all this, the question remains,--what are the novelists to do with commonplace people, and how are they to be presented to the reader in such a form as to be in the least degree interesting? They cannot be left out altogether, for commonplace people meet one at every turn of life, and to leave them out would be to destroy the whole reality and probability of the story. To fill a novel with typical characters only, or with merely strange and uncommon people, would render the book unreal and improbable, and would very likely destroy the interest. In my opinion, the duty of the novelist is to seek out points of interest and instruction even in the characters of commonplace people. |
“I have observed,” said the prince, “that he seems to be an object of very singular interest to you, Evgenie Pavlovitch. Why is it?”
The prince looked at him, but said nothing. He had suddenly relapsed into musing, and had probably not heard the question at all. Rogojin did not insist upon an answer, and there was silence for a few moments.
| “What! _Aglaya_ would have funked? You are a chicken-hearted fellow, Gania!” said Varia, looking at her brother with contempt. “Not one of us is worth much. Aglaya may be a wild sort of a girl, but she is far nobler than any of us, a thousand times nobler!” |
“This letter should be sent on at once,” said the prince, disturbed. “I’ll hand it over myself.”
| The prince seemed quite distracted for the moment. |
| Keller started, gave an astonished look at the speaker, and thumped the table with his fist. |
“It is hardly an exact statement of the case,” said the prince in reply. “You have confused your motives and ideas, as I need scarcely say too often happens to myself. I can assure you, Keller, I reproach myself bitterly for it sometimes. When you were talking just now I seemed to be listening to something about myself. At times I have imagined that all men were the same,” he continued earnestly, for he appeared to be much interested in the conversation, “and that consoled me in a certain degree, for a _double_ motive is a thing most difficult to fight against. I have tried, and I know. God knows whence they arise, these ideas that you speak of as base. I fear these double motives more than ever just now, but I am not your judge, and in my opinion it is going too far to give the name of baseness to it--what do you think? You were going to employ your tears as a ruse in order to borrow money, but you also say--in fact, you have sworn to the fact--that independently of this your confession was made with an honourable motive. As for the money, you want it for drink, do you not? After your confession, that is weakness, of course; but, after all, how can anyone give up a bad habit at a moment’s notice? It is impossible. What can we do? It is best, I think, to leave the matter to your own conscience. How does it seem to you?” As he concluded the prince looked curiously at Keller; evidently this problem of double motives had often been considered by him before.
“A lodger here,” continued the other, staring as before.
“Religion!--I admit eternal life--and perhaps I always did admit it.
| Lizabetha Prokofievna suddenly flared up. |
| The prince observed Gania’s eyes flashing at him, as though they would gladly annihilate him then and there. |
| “If I had had the power to prevent my own birth I should certainly never have consented to accept existence under such ridiculous conditions. However, I have the power to end my existence, although I do but give back days that are already numbered. It is an insignificant gift, and my revolt is equally insignificant. |
“Rogojin!” announced Ferdishenko.
“He really is very charming,” whispered the old dignitary to Ivan Petrovitch.“Who was by him at night?”
“May be! may be so!” said the prince, faintly; his heart was beating painfully.
“Directly! There, that’s enough. I’ll lie down directly. I must drink to the sun’s health. I wish to--I insist upon it! Let go!”
Lebedeff could restrain himself no longer; he made his way through the row of chairs.| “Gentlemen, this--you’ll soon see what this is,” began Hippolyte, and suddenly commenced his reading. |
“Too much talk,” said Rogojin, breaking the silence for the first time.
“Oh, I’ve still got it, here!” “Oh dear, yes!”Ivan Petrovitch began to stare at him with some surprise; the dignitary, too, looked at him with considerable attention; Princess Bielokonski glared at him angrily, and compressed her lips. Prince N., Evgenie, Prince S., and the girls, all broke off their own conversations and listened. Aglaya seemed a little startled; as for Lizabetha Prokofievna, her heart sank within her.
“How did he strike you, prince?” asked Gania, suddenly. “Did he seem to be a serious sort of a man, or just a common rowdy fellow? What was your own opinion about the matter?”
| “What, Hippolyte? He found it out himself, of course. Why, you have no idea what a cunning little animal he is; dirty little gossip! He has the most extraordinary nose for smelling out other people’s secrets, or anything approaching to scandal. Believe it or not, but I’m pretty sure he has got round Aglaya. If he hasn’t, he soon will. Rogojin is intimate with him, too. How the prince doesn’t notice it, I can’t understand. The little wretch considers me his enemy now and does his best to catch me tripping. What on earth does it matter to him, when he’s dying? However, you’ll see; I shall catch _him_ tripping yet, and not he me.” |
“Well, how anybody can call you an idiot after that, is more than I can understand!” cried the boxer.
| “Aglaya, make a note of ‘Pafnute,’ or we shall forget him. H’m! and where is this signature?” |