“How can it be foreign? You _are_ going to be married, are you not? Very well, then you are persisting in your course. _Are_ you going to marry her or not?”
“So be it, then. Gavrila Ardalionovitch,” she spoke solemnly and forcibly, “you hear the prince’s decision? Take it as my decision; and let that be the end of the matter for good and all.”
| It was about eleven o’clock in the forenoon when the prince rang the bell at General Epanchin’s door. The general lived on the first floor or flat of the house, as modest a lodging as his position permitted. A liveried servant opened the door, and the prince was obliged to enter into long explanations with this gentleman, who, from the first glance, looked at him and his bundle with grave suspicion. At last, however, on the repeated positive assurance that he really was Prince Muishkin, and must absolutely see the general on business, the bewildered domestic showed him into a little ante-chamber leading to a waiting-room that adjoined the general’s study, there handing him over to another servant, whose duty it was to be in this ante-chamber all the morning, and announce visitors to the general. This second individual wore a dress coat, and was some forty years of age; he was the general’s special study servant, and well aware of his own importance. |
“Yes, yes, you are quite right again,” said the poor prince, in anguish of mind. “I was wrong, I know. But it was only Aglaya who looked on Nastasia Philipovna so; no one else did, you know.”
“Very well--afterwards. You are always interrupting me. What woman was it you were dreaming about?”| At this moment the study door opened, and a military man, with a portfolio under his arm, came out talking loudly, and after bidding good-bye to someone inside, took his departure. |
| “The face was depicted as though still suffering; as though the body, only just dead, was still almost quivering with agony. The picture was one of pure nature, for the face was not beautified by the artist, but was left as it would naturally be, whosoever the sufferer, after such anguish. |
| There was a moment or two of gloomy silence. Aglaya rose from her seat. |
“Oh, is that it? That makes a difference, perhaps. What did you go to the bandstand for?”
“My dear,” said the general, “it seems to me that a sick-nurse would be of more use here than an excitable person like you. Perhaps it would be as well to get some sober, reliable man for the night. In any case we must consult the prince, and leave the patient to rest at once. Tomorrow we can see what can be done for him.”
“When I arose to lock the door after him, I suddenly called to mind a picture I had noticed at Rogojin’s in one of his gloomiest rooms, over the door. He had pointed it out to me himself as we walked past it, and I believe I must have stood a good five minutes in front of it. There was nothing artistic about it, but the picture made me feel strangely uncomfortable. It represented Christ just taken down from the cross. It seems to me that painters as a rule represent the Saviour, both on the cross and taken down from it, with great beauty still upon His face. This marvellous beauty they strive to preserve even in His moments of deepest agony and passion. But there was no such beauty in Rogojin’s picture. This was the presentment of a poor mangled body which had evidently suffered unbearable anguish even before its crucifixion, full of wounds and bruises, marks of the violence of soldiers and people, and of the bitterness of the moment when He had fallen with the cross--all this combined with the anguish of the actual crucifixion.
The prince flushed up so much that he could not look her in the face.
| “Oh--be easy, sir, be easy! I shall not wound your tenderest feelings. I’ve been through it all myself, and I know well how unpleasant it is when an outsider sticks his nose in where he is not wanted. I experience this every morning. I came to speak to you about another matter, though, an important matter. A very important matter, prince.” |
| These were the tears of joy and peace and reconciliation. Aglaya was kissing her mother’s lips and cheeks and hands; they were hugging each other in the most ardent way. |
“What am I doing? What am I doing to you?” she sobbed convulsively, embracing his knees.
| “Be silent! At once!” interrupted the prince, red with indignation, and perhaps with shame, too. “It is impossible and absurd! All that has been invented by you, or fools like you! Let me never hear you say a word again on that subject!” |
| “In a word, you are a wretched little scandal-monger,” cried Gania, “and you cannot go away without a scandal!” |
| “It is nearly midnight; we are going. Will he come with us, or is he to stay here?” Doktorenko asked crossly of the prince. |
| “I do not wish to quarrel with them about this; in some things they won’t be reasonable. I always did feel a loathing for the laws which seem to guide mamma’s conduct at times. I don’t speak of father, for he cannot be expected to be anything but what he is. Mother is a noble-minded woman, I know; you try to suggest anything mean to her, and you’ll see! But she is such a slave to these miserable creatures! I don’t mean old Bielokonski alone. She is a contemptible old thing, but she is able to twist people round her little finger, and I admire that in her, at all events! How mean it all is, and how foolish! We were always middle-class, thoroughly middle-class, people. Why should we attempt to climb into the giddy heights of the fashionable world? My sisters are all for it. It’s Prince S. they have to thank for poisoning their minds. Why are you so glad that Evgenie Pavlovitch is coming?” |
“What! has he arrived?” said the prince, starting up.
| “It _is_ true, it _is_ true,” cried Aglaya, almost beside herself with rage. |
| “Make allowances? For whom? Him--the old blackguard? No, no, Varia--that won’t do! It won’t do, I tell you! And look at the swagger of the man! He’s all to blame himself, and yet he puts on so much ‘side’ that you’d think--my word!--‘It’s too much trouble to go through the gate, you must break the fence for me!’ That’s the sort of air he puts on; but what’s the matter with you, Varia? What a curious expression you have!” |
“Then, general, it’s your turn,” continued Nastasia Philipovna, “and if you refuse, the whole game will fall through, which will disappoint me very much, for I was looking forward to relating a certain ‘page of my own life.’ I am only waiting for you and Afanasy Ivanovitch to have your turns, for I require the support of your example,” she added, smiling.
“He gets most of his conversation in that way,” laughed Evgenie Pavlovitch. “He borrows whole phrases from the reviews. I have long had the pleasure of knowing both Nicholai Ardalionovitch and his conversational methods, but this time he was not repeating something he had read; he was alluding, no doubt, to my yellow waggonette, which has, or had, red wheels. But I have exchanged it, so you are rather behind the times, Colia.”“I saw it at Lyons. Schneider took us there, and as soon as we arrived we came in for that.”
It was quite dark now, and Muishkin could not see her face clearly, but a minute or two later, when he and the general had left the villa, he suddenly flushed up, and squeezed his right hand tightly.
But there was another question, which terrified him considerably, and that was: what was he going to do when he _did_ get in? And to this question he could fashion no satisfactory reply.
“Yes--for her!” said the prince softly and sadly, and bending his head down, quite unconscious of the fact that Aglaya was gazing at him with eyes which burned like live coals. “I came to find out something--I don’t believe in her future happiness as Rogojin’s wife, although--in a word, I did not know how to help her or what to do for her--but I came, on the chance.”| Aglaya had made for the door in terror, but she stopped at the threshold, and listened. “Shall I turn Rogojin off? Ha! ha! you thought I would marry him for your benefit, did you? Why, I’ll call out _now_, if you like, in your presence, ‘Rogojin, get out!’ and say to the prince, ‘Do you remember what you promised me?’ Heavens! what a fool I have been to humiliate myself before them! Why, prince, you yourself gave me your word that you would marry me whatever happened, and would never abandon me. You said you loved me and would forgive me all, and--and resp--yes, you even said that! I only ran away from you in order to set you free, and now I don’t care to let you go again. Why does she treat me so--so shamefully? I am not a loose woman--ask Rogojin there! He’ll tell you. Will you go again now that she has insulted me, before your eyes, too; turn away from me and lead her away, arm-in-arm? May you be accursed too, for you were the only one I trusted among them all! Go away, Rogojin, I don’t want you,” she continued, blind with fury, and forcing the words out with dry lips and distorted features, evidently not believing a single word of her own tirade, but, at the same time, doing her utmost to prolong the moment of self-deception. |
| “You say you have been happy, and that proves you have lived, not less, but more than other people. Why make all these excuses?” interrupted Aglaya in a mocking tone of voice. “Besides, you need not mind about lecturing us; you have nothing to boast of. With your quietism, one could live happily for a hundred years at least. One might show you the execution of a felon, or show you one’s little finger. You could draw a moral from either, and be quite satisfied. That sort of existence is easy enough.” |
“Seriously? Then are you a coward?”
“Duel! You’ve come to talk about a duel, too!” The prince burst out laughing, to the great astonishment of Keller. He laughed unrestrainedly, and Keller, who had been on pins and needles, and in a fever of excitement to offer himself as “second,” was very near being offended.