| It was a fact that Lebedeff, though he was so anxious to keep everyone else from disturbing the patient, was continually in and out of the prince’s room himself. He invariably began by opening the door a crack and peering in to see if the prince was there, or if he had escaped; then he would creep softly up to the arm-chair, sometimes making Muishkin jump by his sudden appearance. He always asked if the patient wanted anything, and when the latter replied that he only wanted to be left in peace, he would turn away obediently and make for the door on tip-toe, with deprecatory gestures to imply that he had only just looked in, that he would not speak a word, and would go away and not intrude again; which did not prevent him from reappearing in ten minutes or a quarter of an hour. Colia had free access to the prince, at which Lebedeff was quite disgusted and indignant. He would listen at the door for half an hour at a time while the two were talking. Colia found this out, and naturally told the prince of his discovery. |
| “No, I’m not; I’m not a bit ashamed!” she murmured. “And how do you know my heart is innocent? And how dared you send me a love-letter that time?” |
| But the door opened again, and out came Colia. |
“Why?”
| “Yes, herself; and you may believe me when I tell you that I would not have read it for anything without her permission.” |
Muishkin glanced at Rogojin in perplexity, but the latter only smiled disagreeably, and said nothing. The silence continued for some few moments.
“I don’t understand you.”
“Do you hear, prince?” said Nastasia Philipovna. “Do you hear how this moujik of a fellow goes on bargaining for your bride?”
“Yes, so have I!” replied the general. “Nastasia Philipovna told us all about the earrings that very day. But now it is quite a different matter. You see the fellow really has a million of roubles, and he is passionately in love. The whole story smells of passion, and we all know what this class of gentry is capable of when infatuated. I am much afraid of some disagreeable scandal, I am indeed!”
Nastasia Philipovna’s reply to this long rigmarole astonished both the friends considerably.
“You astonish me,” said the lady, gazing as before. “Fits, and hungry too! What sort of fits?”
“On the table, as in the other room, burned a tallow candle-end in an iron candlestick; and on the bed there whined a baby of scarcely three weeks old. A pale-looking woman was dressing the child, probably the mother; she looked as though she had not as yet got over the trouble of childbirth, she seemed so weak and was so carelessly dressed. Another child, a little girl of about three years old, lay on the sofa, covered over with what looked like a man’s old dress-coat.| “I don’t know that either.” |
“It’s simply that there is a Russian poem,” began Prince S., evidently anxious to change the conversation, “a strange thing, without beginning or end, and all about a ‘poor knight.’ A month or so ago, we were all talking and laughing, and looking up a subject for one of Adelaida’s pictures--you know it is the principal business of this family to find subjects for Adelaida’s pictures. Well, we happened upon this ‘poor knight.’ I don’t remember who thought of it first--”