“Podkoleosin” [A character in Gogol’s comedy, The Wedding.] was perhaps an exaggeration, but he was by no means a non-existent character; on the contrary, how many intelligent people, after hearing of this Podkoleosin from Gogol, immediately began to find that scores of their friends were exactly like him! They knew, perhaps, before Gogol told them, that their friends were like Podkoleosin, but they did not know what name to give them. In real life, young fellows seldom jump out of the window just before their weddings, because such a feat, not to speak of its other aspects, must be a decidedly unpleasant mode of escape; and yet there are plenty of bridegrooms, intelligent fellows too, who would be ready to confess themselves Podkoleosins in the depths of their consciousness, just before marriage. Nor does every husband feel bound to repeat at every step, “_Tu l’as voulu, Georges Dandin!_” like another typical personage; and yet how many millions and billions of Georges Dandins there are in real life who feel inclined to utter this soul-drawn cry after their honeymoon, if not the day after the wedding! Therefore, without entering into any more serious examination of the question, I will content myself with remarking that in real life typical characters are “watered down,” so to speak; and all these Dandins and Podkoleosins actually exist among us every day, but in a diluted form. I will just add, however, that Georges Dandin might have existed exactly as Molière presented him, and probably does exist now and then, though rarely; and so I will end this scientific examination, which is beginning to look like a newspaper criticism. But for all this, the question remains,--what are the novelists to do with commonplace people, and how are they to be presented to the reader in such a form as to be in the least degree interesting? They cannot be left out altogether, for commonplace people meet one at every turn of life, and to leave them out would be to destroy the whole reality and probability of the story. To fill a novel with typical characters only, or with merely strange and uncommon people, would render the book unreal and improbable, and would very likely destroy the interest. In my opinion, the duty of the novelist is to seek out points of interest and instruction even in the characters of commonplace people.
“Gavrila Ardalionovitch Ivolgin,” said Nastasia, firmly and evenly.
“_What_ a--”
| The Epanchins had only just heard of the prince’s illness and of his presence in Pavlofsk, from Colia; and up to this time had been in a state of considerable bewilderment about him. The general brought the prince’s card down from town, and Mrs. Epanchin had felt convinced that he himself would follow his card at once; she was much excited. |
But a moment or two afterwards he began to glance keenly about him. That first vision might only too likely be the forerunner of a second; it was almost certain to be so. Surely he had not forgotten the possibility of such a meeting when he came to the Vauxhall? True enough, he had not remarked where he was coming to when he set out with Aglaya; he had not been in a condition to remark anything at all.
| “Well, then, _let_ him talk, mamma,” said Alexandra. “This prince is a great humbug and by no means an idiot,” she whispered to Aglaya. |
| “How ‘means nothing’? You are talking nonsense, my friend. You are marrying the woman you love in order to secure her happiness, and Aglaya sees and knows it. How can you say that it’s ‘not the point’?” |
Arrived at the gate, the prince looked up at the legend over it, which ran:
He dreamed many dreams as he sat there, and all were full of disquiet, so that he shuddered every moment.
| “Well, a soldier once told me that they were always ordered to aim at the middle of the body. So you see they don’t aim at the chest or head; they aim lower on purpose. I asked some officer about this afterwards, and he said it was perfectly true.” |
“Oh no; not at all.”
Lizabetha Prokofievna’s face brightened up, too; so did that of General Epanchin.
“Yes! She looked long at the portrait and asked all about my father. ‘You’d be just such another,’ she said at last, and laughed. ‘You have such strong passions, Parfen,’ she said, ‘that they’d have taken you to Siberia in no time if you had not, luckily, intelligence as well. For you have a good deal of intelligence.’ (She said this--believe it or not. The first time I ever heard anything of that sort from her.) ‘You’d soon have thrown up all this rowdyism that you indulge in now, and you’d have settled down to quiet, steady money-making, because you have little education; and here you’d have stayed just like your father before you. And you’d have loved your money so that you’d amass not two million, like him, but ten million; and you’d have died of hunger on your money bags to finish up with, for you carry everything to extremes.’ There, that’s exactly word for word as she said it to me. She never talked to me like that before. She always talks nonsense and laughs when she’s with me. We went all over this old house together. ‘I shall change all this,’ I said, ‘or else I’ll buy a new house for the wedding.’ ‘No, no!’ she said, ‘don’t touch anything; leave it all as it is; I shall live with your mother when I marry you.’
“I?”
The prince shuddered, and gazed fixedly at Parfen. Suddenly he burst out laughing.
When--late in the evening--the prince made his appearance in Lizabetha Prokofievna’s drawing-room, he found it full of guests. Mrs. Epanchin questioned him very fully about the general as soon as he appeared; and when old Princess Bielokonski wished to know “who this general was, and who was Nina Alexandrovna,” she proceeded to explain in a manner which pleased the prince very much.
It was all very vague. Who had taken the letters, if letters there were? Probably Vera--and how could Lebedeff have got them? In all probability, he had managed to steal the present letter from Vera, and had himself gone over to Lizabetha Prokofievna with some idea in his head. So the prince concluded at last.
“Oh, you naughty man!” cried Nastasia, laughing and clapping her hands like a child.
But Gania first conducted the prince to the family apartments. These consisted of a “salon,” which became the dining-room when required; a drawing-room, which was only a drawing-room in the morning, and became Gania’s study in the evening, and his bedroom at night; and lastly Nina Alexandrovna’s and Varvara’s bedroom, a small, close chamber which they shared together.
| “Not at all!” said the prince, blushing. “I was only going to say that you--not that you could not be like Gleboff--but that you would have been more like--” |
Here the sound judgment of Totski stood him in good stead. He realized that Nastasia Philipovna must be well aware that she could do nothing by legal means to injure him, and that her flashing eyes betrayed some entirely different intention.
“Yes, I intend to.”
| “You wouldn’t believe,” he concluded, “how irritating they all are there. They are such wretchedly small, vain, egotistical, _commonplace_ people! Would you believe it, they invited me there under the express condition that I should die quickly, and they are all as wild as possible with me for not having died yet, and for being, on the contrary, a good deal better! Isn’t it a comedy? I don’t mind betting that you don’t believe me!” |
“What do you know about it?” cried the latter. “Well, my father learned the whole story at once, and Zaleshoff blabbed it all over the town besides. So he took me upstairs and locked me up, and swore at me for an hour. ‘This is only a foretaste,’ says he; ‘wait a bit till night comes, and I’ll come back and talk to you again.’
“Surely you see that I am not laughing,” said Nastasia, sadly and sternly.
“Oh yes, of course, on purpose! I quite understand.”
“Forgiving me! why so? What have I done to need his forgiveness?”
“Be silent! At once!” interrupted the prince, red with indignation, and perhaps with shame, too. “It is impossible and absurd! All that has been invented by you, or fools like you! Let me never hear you say a word again on that subject!”
So saying, and in a state of violent agitation, Varia left the room.
“Oh general, spare Ferdishenko!” replied the other, smiling. “I have special privileges.”
| “That means that you have set Aglaya a riddle!” said Adelaida. “Guess it, Aglaya! But she’s pretty, prince, isn’t she?” |
Gania left the room in great good humour. The prince stayed behind, and meditated alone for a few minutes. At length, Colia popped his head in once more.
“Excellency, I have the honour of inviting you to my funeral; that is, if you will deign to honour it with your presence. I invite you all, gentlemen, as well as the general.”
“Oh dear no! Why--”
| But Vera, simple-minded little girl that she was (just like a boy, in fact), here became dreadfully confused, of a sudden, and ran hastily out of the room, laughing and blushing. |
| “Oh, thank you, thank you, I’m sure,” replied the general, considerably taken aback. “May I ask where you have taken up your quarters?” |
| “He won’t do any harm now; and--and don’t be too severe with him.” |
“I say that I have but to open my mouth, and you--”
It was said that there were other reasons for his hurried departure; but as to this, and as to his movements in Moscow, and as to his prolonged absence from St. Petersburg, we are able to give very little information.
| “Quite true! Much better to go in half an hour or so,” said Mrs. Epanchin. |
| “Never mind!” she laughed, “but why didn’t you come earlier? Perhaps you were expected!” |
As for his own impression on entering the room and taking his seat, he instantly remarked that the company was not in the least such as Aglaya’s words had led him to fear, and as he had dreamed of--in nightmare form--all night.
“I don’t know what you are driving at; what mask do you mean?” said Mrs. Epanchin, irritably. She began to see pretty clearly though what it meant, and whom they referred to by the generally accepted title of “poor knight.” But what specially annoyed her was that the prince was looking so uncomfortable, and blushing like a ten-year-old child.
“Was Nastasia Philipovna with him?”
To the amazement of the prince, who overheard the remark, Aglaya looked haughtily and inquiringly at the questioner, as though she would give him to know, once for all, that there could be no talk between them about the ‘poor knight,’ and that she did not understand his question.
“Yes--those very ones,” interrupted Rogojin, impatiently, and with scant courtesy. I may remark that he had not once taken any notice of the blotchy-faced passenger, and had hitherto addressed all his remarks direct to the prince.
“No, don’t read it!” cried Evgenie suddenly. He appeared so strangely disturbed that many of those present could not help wondering.
“I gave him all the information he needed, and he very soon took his departure; so that, since he only came for the purpose of gaining the information, the matter might have been expected to end there.
Suddenly, a quarter of an hour after the prince’s departure, Aglaya had rushed out of her room in such a hurry that she had not even wiped her eyes, which were full of tears. She came back because Colia had brought a hedgehog. Everybody came in to see the hedgehog. In answer to their questions Colia explained that the hedgehog was not his, and that he had left another boy, Kostia Lebedeff, waiting for him outside. Kostia was too shy to come in, because he was carrying a hatchet; they had bought the hedgehog and the hatchet from a peasant whom they had met on the road. He had offered to sell them the hedgehog, and they had paid fifty copecks for it; and the hatchet had so taken their fancy that they had made up their minds to buy it of their own accord. On hearing this, Aglaya urged Colia to sell her the hedgehog; she even called him “dear Colia,” in trying to coax him. He refused for a long time, but at last he could hold out no more, and went to fetch Kostia Lebedeff. The latter appeared, carrying his hatchet, and covered with confusion. Then it came out that the hedgehog was not theirs, but the property of a schoolmate, one Petroff, who had given them some money to buy Schlosser’s History for him, from another schoolfellow who at that moment was driven to raising money by the sale of his books. Colia and Kostia were about to make this purchase for their friend when chance brought the hedgehog to their notice, and they had succumbed to the temptation of buying it. They were now taking Petroff the hedgehog and hatchet which they had bought with his money, instead of Schlosser’s History. But Aglaya so entreated them that at last they consented to sell her the hedgehog. As soon as she had got possession of it, she put it in a wicker basket with Colia’s help, and covered it with a napkin. Then she said to Colia: “Go and take this hedgehog to the prince from me, and ask him to accept it as a token of my profound respect.” Colia joyfully promised to do the errand, but he demanded explanations. “What does the hedgehog mean? What is the meaning of such a present?” Aglaya replied that it was none of his business. “I am sure that there is some allegory about it,” Colia persisted. Aglaya grew angry, and called him “a silly boy.” “If I did not respect all women in your person,” replied Colia, “and if my own principles would permit it, I would soon prove to you, that I know how to answer such an insult!” But, in the end, Colia went off with the hedgehog in great delight, followed by Kostia Lebedeff. Aglaya’s annoyance was soon over, and seeing that Colia was swinging the hedgehog’s basket violently to and fro, she called out to him from the verandah, as if they had never quarrelled: “Colia, dear, please take care not to drop him!” Colia appeared to have no grudge against her, either, for he stopped, and answered most cordially: “No, I will not drop him! Don’t be afraid, Aglaya Ivanovna!” After which he went on his way. Aglaya burst out laughing and ran up to her room, highly delighted. Her good spirits lasted the whole day.